In the depiction of women throughout the history of art, the viewers’ lens often finds the imagery of snakes, Madonna, or other visual stories defined by virtue or morality — eroticism, social stereotypes, or even goddess-like love — but here it is not superficially offered. A deeper understanding of symbolism emerges and asserts the internal struggle that evokes human empathy — for simpler love, boundless pain, or more coherent understanding — sometimes using spiritual iconography within its focus. [View Gallery]
For the primary artist, this is not really about advocating ambition or feminism on the edge of cultural traditions that marginalize women. It is much more about introspection in the experience of being, from a perspective lived by a woman. It is not so much of a push for empowerment as an expression of self as it finds its inner power to sustain or overcome — despite its own vulnerability perhaps, whether as a lover, nurturer, or spiritual aspirant. The differences may be subtle, but can be found. If it defies gender in its line or color, then perhaps crossing to a more inclusive understanding of being human will be required.
Art is often a detached observation of womanhood or even personhood — yet, this artist offers a moment of reflection and visionary insight into our potential self. The viewers bring their own cultural needs, provided by familiarity with suffering, strength and desire. The artist brings a universal heart that is intelligent as well as compassionate.